THE TRAGIC HERO OF THE NEO-CLASSICAL REVIVAL

Asuamah Adade-Yeboah, Kwaku Ahenkora

dc.contributor.author	Asuamah Adade-Yeboah, Kwaku Ahenkora
dc.date.accessioned	2016-06-17T11:00:00Z
dc.date.accessioned	2022-01-16T07:06:55Z
dc.date.available	2016-06-17T11:00:00Z
dc.date.available	2022-01-16T07:06:55Z
dc.date.issued	2016-06-17
dc.identifier.issn	2016020
dc.identifier.uri	http://localhost:8080/xmlui/handle/123456789/440
dc.description.abstract	A critical appraisal of the role of the tradition of tragedy from the Aristotle classical period to modern times reveals that tragedy as a genre in respect of themes passed through a metamorphosis. This paper aims to look at how the French Neo-Classical period defined and practised the concept of tragedy. The paper provides content analysis of Phedre by Racine with a view to understanding the presentation of the heroine during the period. The portrayal of Phedre as a tragic heroine shares elements reminiscent of the classical concept of tragedy. The paper fulfils an identified need to study the concept of tragedy and shows the appendages of the classical thinking in the neo-classical period	en_US
dc.language.iso	en	en_US
dc.subject	Neo-classical, tradition, mythology, biensenance revival, nobility, Jansenism, subtle, tragic hero	en_US
dc.title	THE TRAGIC HERO OF THE NEO-CLASSICAL REVIVAL	en_US
dc.type	Article	en_US