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THE TRAGIC HERO OF THE CLASSICAL PERIOD

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dc.contributor.author Asuamah Adade-Yeboah1, Kwaku Ahenkora2 & Adwoah S. Amankwah1
dc.date.accessioned 2016-06-17T10:52:41Z
dc.date.accessioned 2022-01-16T07:07:01Z
dc.date.available 2016-06-17T10:52:41Z
dc.date.available 2022-01-16T07:07:01Z
dc.date.issued 2016-06-17
dc.identifier.issn 2016017
dc.identifier.uri http://localhost:8080/xmlui/handle/123456789/437
dc.description.abstract Just as tragic heroes and heroines have been identified with different eras and cultures, the classical ideal of the tragic hero will be incomplete if the concept of tragedy is not focalized. This paper, therefore, looks at how the classical period defined and delineated its tragic hero based on the action and the plot of the play. The paper provides extracts from Sophocles’ King Oedipus as the main text and Euripides’ Iphigenia in Tauris as a supporting text to present Oedipus as the tragic hero. Textual analysis shows that the delineation of the tragic hero lies in the source or context of the tragic situation. Sophocles and Euripides’ views on the tragic hero are similar to Aristotle’s concept of “hamartia” of the classical period. en_US
dc.language.iso en en_US
dc.subject classical, Aristotle, harmatia, plot, action, Oedipus, tragedy, hero en_US
dc.title THE TRAGIC HERO OF THE CLASSICAL PERIOD en_US
dc.type Article en_US


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