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dc.contributor.authorAsuamah Adade-Yeboah
dc.date.accessioned2016-06-17T10:57:23Z
dc.date.accessioned2022-01-16T07:07:01Z-
dc.date.available2016-06-17T10:57:23Z
dc.date.available2022-01-16T07:07:01Z-
dc.date.issued2016-06-17
dc.identifier.issn2016019
dc.identifier.urihttp://localhost:8080/xmlui/handle/123456789/439-
dc.description.abstractThere is an underlying cultural dimension in modern tragedy, in that the tragic hero differs from culture to culture in modern society. In in the light of this, it is appropriate to point out that whereas the modern tragic hero in the Western culture is an anti-hero as portrayed in the previous work, in cultures such as, in Asia and Africa, the tragic hero still maintains some traits of the Greek heroic figure. This paper therefore fulfils an identified need to study the concept of this period‟s tragedy and shows the appendages of the traits of the Greek Classical tragic hero in the modern period of the African concept. The study provides extracts from Achebe‟s Things fall Apart as the main text, Achebe‟s Morning Yet on Creation Day, Achebe‟s Arrow of God and Rotimi‟s Kurunmi as supporting texts to present the African concept of the tragic hero.en_US
dc.language.isoenen_US
dc.subjectOkonkwo, African Concept, Thematic, tragic flaws, dual personality, pessimism, culture, tradition.en_US
dc.titleTHE TRAGIC HERO OF THE MODERN PERIOD – THE AFRICAN CONCEPTen_US
dc.typeArticleen_US
Appears in Collections:Department of Planning & Development

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